He died a few years ago, in 2006, but his relevance is fantastic, incisive, both from the perspective of things done and from that of the theoretical and speculative. In short, immersed to the full in fluid modernity, tending ever more towards liquidity, his approach is...
Gilgamesh meets Urvasi and thus cancels every form of past archaeology, every chimera of the future. Everything is! Gino (De Dominicis) sees in the imaginary of the mind, two-thirds divine (in any case, inscrutable and symbolic) one-third human (specular and...
With the death of Arnaldo Pomodoro, an artistic era of Michelangelo-esque, Bernini-esque, Canova-esque significance concludes; the era of the two duets, that of the Cascella and the Pomodoros, a point of reference for the season of Italian sculptors of the twentieth century,...
His painting is composed of the chapters of a visual novel that unfolds according to an intricate plot of themes and subjects, in a poetic and sapiential development connected to a modern rhythmic value, in harmony with the development of an imaginary intuition,...
Memory games are truly unpredictable. Something that doesn't appear for years and years, that doesn't cross your mind, is enough in a moment and there it is, a fleeting image, that suddenly brings you to a present, from a time you imagined lost, and of...
This can be considered a transmutation, an imaginary transliteration, carried out by a modern individual who does not copy, identify with, or regress to the past, but instead undertakes a fanciful (both philological and innovative) journey backwards, to a certain Renaissance, or rather to...
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